DARK BROWN

16.9623.21

The Dark Brown colour has historically stood out for being used historically on the back cover of the Les Paul in the iconic 1959 and part of the 1960s along with other more reddish tones such as Cherry.

This dark brown colour has also recently been replicated in Gibson’s True historic series.

Important: As it is a translucent colour, to obtain the same tone as shown in the photo it is important to use the colour on mahogany wood or a similar tone (dark).

This colour is available in:

  • 400 ml spray.
  • Bottle of 500 ml, which is recommended to be diluted with 10% solvent.
SKU: DARK-BROWN Categories: ,

Our vintage-inspired colours

Nitorlack colours are based on the original Fender and Gibson colours. The creation of these colours is preceded by a great work and exhaustive study by our laboratory and technical department. Thanks to this, we have managed to faithfully recreate the tones of Fender and Gibson guitars from the 50’s and 60’s.

During those years up to the present day, it should be noted that the colours of vintage guitars have changed a lot over the years due to the ageing of the nitrocellulose lacquer and changes in the brand’s own colours.

Therefore, two guitars finished in 1960 with fender colours may be totally different from each other or from a more modern guitar.

dark brown color

Application guide:

  • We start to apply the colour once the guitar has been dipped with Nitorlack Primer.
  • When we start the painting work, the pores must be closed and the grain must not be marked.
  • Apply the product either by spray or spray gun at a distance of about 25 cm.
  • When applying we must follow a pattern of application, first horizontally and then vertically, applying the paint evenly.
  • Apply several coats, letting them dry for about 24 hours and sanding between them to remove any remaining impurities.
  • This work shall be completed when the surface is completely smooth and free of imperfections.

 

FAQS:

 

How many sprays do I need to varnish a guitar?

– If the surface is well covered and it is not your first painting project, you can do it with a spray can, although you will not apply many coats. However if you are not an expert we recommend using 2 sprays for an optimal finish.

 

What temperature should the guitar be at during and after the process?

It is recommended to do it in a place where the temperature is between 15 and 25 degrees Celsius. If the painting or varnishing process is carried out in very hot or cold conditions, the final result may not be good.

 

Where should I carry out the process?

A clean site will be essential, to prevent dirt or dust particles from adhering to the surface.

 

Is sanding between coats mandatory?

This is not something you should always do, but it is advisable in order to remove any imperfections left in the paint at the end of each coat, as well as any particles that may adhere.

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Technology & Size

Nitrocellulose 500 ml, Nitrocellulose spray 400ml

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