{"id":2965,"date":"2016-03-07T11:18:14","date_gmt":"2016-03-07T11:18:14","guid":{"rendered":"http:\/\/nitorlack.com\/it\/proceso-pintado-azul-silvermetal-sunburst\/"},"modified":"2020-06-26T12:41:36","modified_gmt":"2020-06-26T10:41:36","slug":"processo-blue-silvermetal","status":"publish","type":"post","link":"https:\/\/nitorlack.com\/it\/blog\/processo-blue-silvermetal\/","title":{"rendered":"Tutorial processo di finitura blue Sunburst silvermetal"},"content":{"rendered":"

1.<\/span> Levigare<\/span> il<\/span> corpo della chitarra<\/span> con<\/span> 240<\/span> e 400<\/span> grit<\/span> levigatura<\/span> sempre a favore<\/span> delle venature del legno<\/span> per evitare di creare<\/span>strisce<\/span> attraverso.<\/span><\/p>\n

2.<\/span> Applicazione<\/span> del<\/span> gorgogliatore<\/span> Chapa<\/span> 110060<\/span> Incolore<\/span> primer 1<\/span>: 1<\/span> con<\/span> indurente<\/span> 190021<\/span> nel corpo<\/span> della chitarra<\/span>. In<\/span> questo<\/span>modo<\/span> si eliminano<\/span> le<\/span> differenze di assorbimento<\/span> ha<\/span> vernice<\/span> legno<\/span> in diversi settori.<\/span> Abbiamo<\/span> chiudere i pori<\/span> del legno e<\/span> evitare la comparsa di<\/span> bolle<\/span> sulla chitarra<\/span>.<\/span><\/p>\n

3.<\/span> Lasciare asciugare<\/span> il<\/span> corpo della chitarra<\/span> almeno 24<\/span> ore<\/span>.<\/p>\n

4.<\/span> Levigatura<\/span> il<\/span> corpo della chitarra<\/span> con<\/span> 400<\/span> carta abrasiva<\/span><\/p>\n

5. Applicazione<\/span> della prima mano<\/span> di sigillante<\/span> poliuretanico<\/span> 140<\/span> 109<\/span> Bianco<\/span> Chitarre<\/span> 2<\/span>: 1<\/span> con<\/span> indurente<\/span> 190021.<\/span> Il sigillante<\/span>bianco<\/span> aiuta a<\/span> lisciare la superficie<\/span> del legno<\/span>. \u00c8 la parte<\/span> pi\u00f9 importante<\/span> di tutto il processo<\/span><\/p>\n

6.<\/span> Lasciare asciugare<\/span> chitarra<\/span> 6-8 ore<\/span><\/p>\n

7.<\/span> levigatura con<\/span> carta abrasiva<\/span> 400<\/span><\/p>\n

8.<\/span> Applicare un secondo strato<\/span> di sigillante<\/span> bianco<\/span> 140<\/span> 109<\/span> nel corpo<\/span> della chitarra<\/span><\/p>\n

9.<\/span> Lasciare asciugare<\/span> chitarra<\/span> 12 ore<\/span><\/p>\n

10.<\/span> grinta<\/span> carteggiatura con<\/span> 400<\/span> e 800<\/span><\/p>\n

11.<\/span> Applicazione<\/span> di<\/span> 250004<\/span> Spray<\/span> Nitorlak<\/span> Chitarre<\/span> SilverSparkle<\/span> BR<\/span>. Sebbene<\/span> alcuna immagine<\/span>, viene<\/span> applicato<\/span> uno strato<\/span>sottile di<\/span> effetto metallico<\/span> su sfondo<\/span> bianco<\/span>. Questo<\/span> metallizzato<\/span> tinta blu<\/span> per evidenziare<\/span> scintille<\/span> scintille<\/span>.<\/p>\n

12.<\/span> Applicazione<\/span> di<\/span> concentrato<\/span> veloce<\/span> Stain<\/span> 480<\/span> 060<\/span> blu con<\/span> 540.421<\/span> Valdis<\/span> Diluente Universale<\/span> medio<\/span> di evaporazione<\/span> + 10<\/span>%nitro<\/span> terminare<\/span> l’intero corpo<\/span> della chitarra<\/span>. Se<\/span> non mettete<\/span> qualche<\/span> finitura<\/span> nitro<\/span>, tintura<\/span> scivolare<\/span> sul corpo<\/span> della chitarra<\/span>. Cos\u00ec<\/span> \u00e8 fisso<\/span> ed uniforme<\/span><\/p>\n

13.<\/span> Applicazione<\/span> di<\/span> effetto<\/span> raggera con<\/span> la stessa<\/span> precedente<\/span> tinta blu,<\/span> offuscamento<\/span> lato<\/span><\/p>\n

\n
\n

14.<\/span> Lasciate asciugare<\/span> 12 ore<\/span> e applicare<\/span> incolore<\/span> lucida<\/span> finitura<\/span> nitro<\/span><\/span><\/p>\n<\/div>\n<\/div>\n

\n

15.<\/span> Lasciare<\/span> asciugare por 24 ore<\/span> e<\/span> riapplicare<\/span> un altro strato<\/span> di<\/span> finitura lucida<\/span> nitro<\/span>. No<\/span> levigato<\/span> ora perch\u00e9<\/span> pelaremos<\/span>sicuramente<\/span> tinta blu,<\/span> in modo da dare<\/span> un altro strato di<\/span> finitura<\/span> che ci dar\u00e0<\/span> la sicurezza<\/span> nella levigatura<\/span> pi\u00f9 tardi<\/span><\/span><\/p>\n<\/div>\n

\n

16. Lasciate asciugare per 24 ore e carta vetrata con 400 e 800 per rimuovere tutti i glitter e lasciare una superficie liscia, ma tintura non pelati. <\/span>Attenzione ai bordi e profili, ed \u00e8 facile carteggiatura e stripping colorante in eccesso. <\/span>Se ci\u00f2 accade, \u00e8 possibile riapplicare il colorante nitro sull’area nudo (sempre con 10 o 15% Finitura nitro nella miscela)<\/span><\/p>\n

17. Vai applicando finiture con la seguente procedura:<\/span><\/p>\n

Sempre applicare strati sottili piuttosto per allungare il materiale e non scegliere
\n<\/span>Abbassando la finitura tra il 10% e il 15% con terreno e lento solvente (met\u00e0 e met\u00e0) di non pensare buccia d’arancia (specialmente ad alte temperature)
\n<\/span>Molto importante, la riverniciatura finito deve farlo con almeno un giorno tra le mani in modo che quando applichiamo le seguenti mani, non rimuovere lo strato sottostante.
\n<\/span>Levigatura gli ultimi strati con grinta 2000
\n<\/span>Nota: Siamo in grado di mettere una goccia d tinta blu fino al traguardo di essere dare profondit\u00e0 ai diversi strati di vernice chitarra<\/span><\/p>\n<\/div>\n

\n

18. Per<\/span> polacco<\/span> aspettano<\/span> 8-10 giorni<\/span>. Prima di<\/span> lucidatura,<\/span> levigatura con<\/span> carta vetrata<\/span> 2000<\/span> sull’acqua<\/span> aggiungendo<\/span> finito e<\/span>levigatura a umido<\/span> sempre<\/span> senza premere eccessivamente<\/span>. Utilizzare<\/span> una lucidatura<\/span> ad alta velocit\u00e0 e<\/span> non esercitare pressioni eccessive<\/span> sul finale.<\/span> Se<\/span> sobrecalentamos<\/span> materiale<\/span> \u00e8 di colore bianco<\/span>. Riguardo<\/span> pasta abrasiva<\/span> con<\/span> grana<\/span> medio<\/span> per rimuovere le particelle<\/span> pi\u00f9 grandi<\/span> e<\/span> quindi<\/span> una<\/span> grana fine<\/span> di rendere<\/span> la luminosit\u00e0 del<\/span> lucido<\/span>. Si<\/span> consiglia inoltre di utilizzare<\/span> un<\/span> brillantante<\/span>per la revisione finale<\/span>.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

1. Levigare il corpo della chitarra con 240 e 400 grit levigatura sempre 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