{"id":66416,"date":"2023-07-06T09:01:54","date_gmt":"2023-07-06T07:01:57","guid":{"rendered":"https:\/\/nitorlack.com\/?post_type=product&p=66416"},"modified":"2026-03-29T13:58:09","modified_gmt":"2026-03-29T11:58:09","slug":"tv-yellow","status":"publish","type":"product","link":"https:\/\/nitorlack.com\/fr\/barniz\/custom-couleurs-pot\/translucid-fr\/tv-yellow\/","title":{"rendered":"TV-YELLOW"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=nMXNE4U54eE\u00a0\u00bb el_width=\u00a0\u00bb80″ align=\u00a0\u00bbcenter\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][vc_column_text]<\/p>\n

Tout sur la couleur TV Jaune<\/h2>\n

TV Yellow, un nom intrigant pour une couleur Gibson<\/p>\n

En 1954<\/strong> Gibson a lanc\u00e9 le Les Paul Junior<\/strong> en tant que version \u00e9tudiante abordable du mod\u00e8le Gold Top.<\/p>\n

Initialement disponible en sunburst, il a rapidement \u00e9t\u00e9 lanc\u00e9 dans une couleur particuli\u00e8re appel\u00e9e TV Yellow<\/strong>. Cette finition a un ton jaun\u00e2tre l\u00e9g\u00e8rement p\u00e2le<\/strong> et est semi-translucide, ce qui laisse appara\u00eetre une partie des veines du bois.<\/p>\n

En 1955, le TV Yellow est \u00e9galement apparu sur le nouveau mod\u00e8le Les Paul Special. En 1960, les deux mod\u00e8les adoptent la forme SG et Gibson abandonne compl\u00e8tement la TV Yellow.<\/p>\n

Les raisons pour lesquelles Gibson a choisi ce nom pour sa finition font encore l’objet de nombreuses sp\u00e9culations. Certains pr\u00e9tendent qu’il a \u00e9t\u00e9 choisi sp\u00e9cifiquement pour faire bonne figure sur les t\u00e9l\u00e9viseurs noir et blanc. Ou qu’elle a \u00e9t\u00e9 cr\u00e9\u00e9e parce que le jaune et le blanc ordinaires ne rendaient pas bien sur les premiers t\u00e9l\u00e9viseurs couleur (alors tout nouveaux). Ces th\u00e9ories, bien que souvent cit\u00e9es, semblent tir\u00e9es par les cheveux. Il ne serait pas tr\u00e8s logique que Gibson d\u00e9veloppe une couleur destin\u00e9e aux musiciens professionnels se produisant en direct \u00e0 la t\u00e9l\u00e9vision et l’utilise ensuite pour des mod\u00e8les d’entr\u00e9e de gamme moins chers. Par cons\u00e9quent, il semble \u00e9vident \u00e0 l’\u00e9poque que Gibson aurait pr\u00e9f\u00e9r\u00e9 que les artistes jouent de leurs mod\u00e8les Gold Top et Custom, plus luxueux, \u00e0 la t\u00e9l\u00e9vision.<\/p>\n

Cependant, une autre th\u00e9orie semble plus cr\u00e9dible. Tout d’abord, les t\u00e9l\u00e9viseurs du d\u00e9but des ann\u00e9es 1950 \u00e9taient dot\u00e9s d’armoires en bois peintes dans les couleurs en vogue \u00e0 l’\u00e9poque, telles que \u00ab\u00a0whitewashed mahogany\u00a0\u00bb<\/strong>. Cette peinture \u00e9tait facilement disponible, car son usage \u00e9tait tr\u00e8s r\u00e9pandu, un avantage pour Gibson qui pr\u00e9voyait de produire en masse une guitare de base. Le nom TV Yellow serait attrayant et familier pour le grand public am\u00e9ricain.<\/p>\n

Quelle que soit la raison pour laquelle Gibson l’a appel\u00e9e TV Yellow, cette finition est certainement du plus bel effet sur ces mod\u00e8les Gibson des ann\u00e9es 1950. Cependant, il peut \u00eatre co\u00fbteux de la reproduire avec pr\u00e9cision et le ton final d\u00e9pendra d’un certain nombre de facteurs. Une couleur jaune p\u00e2le plus claire sur un corps en acajou plus fonc\u00e9 n\u00e9cessite une sous-couche, mais le grain du bois doit rester l\u00e9g\u00e8rement visible.[\/vc_column_text][vc_single_image image=\u00a0\u00bb71901″ img_size=\u00a0\u00bblarge\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][vc_column_text]<\/p>\n

Comment faire ?<\/h2>\n
    \n
  1. Pon\u00e7age :<\/strong> Il est recommand\u00e9 de poncer soigneusement la surface de la guitare pour \u00e9liminer toute imperfection et la pr\u00e9parer pour le processus de peinture.<\/li>\n
  2. Fond blanc :<\/strong> Appliquez une couche de fond blanche avec un appr\u00eat blanc<\/a>. Utilisez du ruban de masquage pour prot\u00e9ger les zones que vous ne souhaitez pas peindre.<\/li>\n
  3. Remplissage des pores :<\/strong> Appliquez un Grain Filler Rosewood<\/a> pour faire ressortir le grain du bois. Utilisez un chiffon ou une spatule pour appliquer et essuyer l’exc\u00e8s de produit de remplissage.<\/li>\n
  4. Pon\u00e7age :<\/strong> \u00c0 cette \u00e9tape, vous devez obtenir une surface plane avant d’appliquer la couleur.<\/li>\n
  5. Couche de couleur :<\/strong> Appliquez la couleur TV Yellow<\/strong>. L’intensit\u00e9 de la couleur variera en fonction du nombre de couches appliqu\u00e9es.<\/li>\n
  6. Couche de finition :<\/strong> Appliquez plusieurs couches de finition transparente<\/a> pour prot\u00e9ger la couleur et obtenir une finition brillante. Il est recommand\u00e9 d’appliquer suffisamment de couches pour permettre le pon\u00e7age et le polissage sans alt\u00e9rer la couleur.<\/li>\n
  7. Pon\u00e7age et polissage :<\/strong> Une fois que la laque a s\u00e9ch\u00e9 et durci, toute la surface doit \u00eatre polie pour obtenir la surface la plus lisse et la plus brillante possible.<\/li>\n<\/ol>\n

    <\/h3>\n

     <\/p>\n

    Foire aux questions :<\/h3>\n

     <\/p>\n

    Combien de sprays ai-je besoin pour vernir une guitare ?<\/h4>\n

    – Si la surface est bien couverte et que ce n’est pas votre premier projet de peinture, vous pourrez le faire avec un seul spray, bien que vous n’appliquerez pas beaucoup de couches. Cependant, si vous n’\u00eates pas un expert, nous recommandons d’utiliser 2 sprays pour une finition optimale.<\/p>\n

     <\/p>\n

    \u00c0 quelle temp\u00e9rature la guitare doit-elle \u00eatre pendant et apr\u00e8s le processus ?<\/h4>\n

    – Il est recommand\u00e9 de le faire dans un endroit dont la temp\u00e9rature se situe entre 15 et 25 degr\u00e9s Celsius. Si le processus de peinture ou de vernissage est effectu\u00e9 dans des conditions de forte chaleur ou de froid, le r\u00e9sultat final peut ne pas \u00eatre bon.<\/p>\n

     <\/p>\n

    O\u00f9 dois-je effectuer le processus ?<\/h4>\n

    Un endroit propre sera essentiel pour \u00e9viter que la salet\u00e9 ou les particules de poussi\u00e8re n’adh\u00e8rent \u00e0 la surface.<\/p>\n

     <\/p>\n

    Est-il obligatoire de poncer entre les couches ?<\/h4>\n

    Ce n’est pas toujours n\u00e9cessaire, mais c’est recommand\u00e9 pour \u00e9liminer les imperfections qui restent dans la peinture \u00e0 la fin de chaque couche, ainsi que les particules qui pourraient adh\u00e9rer.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

    Partagez votre travail sur les m\u00e9dias sociaux en utilisant notre hashtag<\/h4>\n

    #myNitorlack<\/h2>\n

    [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_column][vc_column_text]<\/p>\n

    Avec la garantie de\u00a0 Valresa Coatings SA<\/a>.<\/h4>\n

    [\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][\/vc_column]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

    Couleur translucide de la gamme Gibson.<\/p>\n

    Cette couleur a commenc\u00e9 \u00e0 \u00eatre utilis\u00e9e sur les guitares en 1954, lorsque Gibson l’a introduite dans une version Gold Top. L’utilisation de cette couleur sur les guitares s’est d\u00e9velopp\u00e9e pour devenir l’une des couleurs les plus populaires de l’\u00e9poque.<\/p>\n

    Il a un aspect jaun\u00e2tre qui laisse appara\u00eetre les veines du bois. Toutefois, l’aspect final d\u00e9pend de l’essence de bois utilis\u00e9e et du processus suivi.<\/p>\n

    Cette couleur est disponible en :<\/p>\n

      \n
    • 400 ml de spray.<\/strong><\/li>\n
    • Bouteille de 500 ml<\/strong>, qu’il est recommand\u00e9 de diluer avec 10% de solvant.<\/li>\n<\/ul>\n","protected":false},"featured_media":71917,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"normal-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[114,7426],"product_tag":[],"class_list":{"0":"post-66416","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-custom-couleurs-pot","7":"product_cat-translucid-fr","8":"desktop-align-center","9":"tablet-align-center","10":"mobile-align-center","11":"ast-product-gallery-layout-horizontal-slider","12":"ast-product-single-variable","13":"ast-product-tabs-layout-horizontal","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-variable"},"bundled_by":[],"bundle_stock_status":"instock","bundle_stock_quantity":5000,"bundle_virtual":false,"bundle_layout":"","bundle_add_to_cart_form_location":"","bundle_editable_in_cart":false,"bundle_sold_individually_context":"","bundle_item_grouping":"","bundle_min_size":"","bundle_max_size":"","bundle_price":[],"bundled_items":[],"bundle_sell_ids":[],"yoast_head":"\nTV-YELLOW | Nitorlack<\/title>\n<meta name=\"description\" content=\"Tv yellow translucent colour. Available in nitrocellulose or polyurethane, in spray or 500ml can format.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nitorlack.com\/fr\/barniz\/custom-couleurs-pot\/translucid-fr\/tv-yellow\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TV-YELLOW | Nitorlack\" \/>\n<meta property=\"og:description\" content=\"Tv yellow translucent colour. 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