{"id":72981,"date":"2024-06-13T16:23:19","date_gmt":"2024-06-13T14:23:19","guid":{"rendered":"https:\/\/nitorlack.com\/?p=72981"},"modified":"2024-06-13T16:23:20","modified_gmt":"2024-06-13T14:23:20","slug":"histoire-des-couleurs-dorees-sur-la-guitar","status":"publish","type":"post","link":"https:\/\/nitorlack.com\/fr\/blog\/histoire-des-couleurs-dorees-sur-la-guitar\/","title":{"rendered":"Histoire des couleurs dor\u00e9es sur la guitar"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

Histoire des couleurs dor\u00e9es sur la guitar<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb73012″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Chez NitorLACK, nous proposons actuellement cinq versions diff\u00e9rentes de laque or m\u00e9tallique: Gold Top, Aged Gold Top, Shoreline Gold, Firemist Gold et Aztec Gold. Pourquoi tant de nuances d’or diff\u00e9rentes, me direz-vous ? Eh bien, comme pour presque toutes les couleurs que nous proposons, il y a un arri\u00e8re-plan historique.<\/p>\n

 <\/p>\n

Dans cet article, nous essayons de vous montrer, \u00e0 l’aide d’une chronologie, comment l’\u00e9volution du temps a fait appara\u00eetre de nouvelles couleurs dor\u00e9es\/m\u00e9talliques et comment les go\u00fbts des amateurs de guitare ont \u00e9galement modifi\u00e9 les tendances dans ce secteur.[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=\u00a0\u00bb35″][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb72910″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1718197154555{border-left-width: 20px !important;}\u00a0\u00bb]En g\u00e9n\u00e9ral, au cours des ann\u00e9es 1940 et au d\u00e9but des ann\u00e9es 1950, tr\u00e8s peu de guitares et de tables ont \u00e9t\u00e9 finies en or, mais pour le mod\u00e8le Les Paul introduit en 1952, Gibson a utilis\u00e9 Goldtop<\/strong> comme couleur standard. Les Paul a \u00e9galement revendiqu\u00e9 la cr\u00e9ation du mod\u00e8le ES-295 avec cette finition dor\u00e9e.<\/p>\n

 <\/p>\n

Il aurait appel\u00e9 Gibson et leur aurait demand\u00e9 de peindre une ES-175 en or pour un jeune homme que Paul avait rencontr\u00e9 dans un h\u00f4pital. Pourtant, aucun des deux mod\u00e8les ne s’est tr\u00e8s bien vendu, en partie parce qu’\u00e0 l’\u00e9poque, l’or n’\u00e9tait pas la couleur pr\u00e9f\u00e9r\u00e9e de nombreux guitaristes. En cons\u00e9quence, les deux mod\u00e8les ont \u00e9t\u00e9 abandonn\u00e9s en 1960.<\/p>\n

 <\/p>\n

Aujourd’hui, les guitaristes ont retrouv\u00e9 le go\u00fbt de cette couleur, devenant l’une des finitions classiques de Gibson, pr\u00e9f\u00e9r\u00e9e par ceux qui ont un go\u00fbt particulier pour les mod\u00e8les vintage. Elle est souvent combin\u00e9e avec le ton Dark rich mahogany<\/strong> sur le dos.[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=\u00a0\u00bb35″][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb72800″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Au cours de la m\u00eame ann\u00e9e o\u00f9 les couleurs susmentionn\u00e9es ont \u00e9t\u00e9 abandonn\u00e9es, Fender a introduit et officialis\u00e9 le lancement d’une nouvelle couleur: Shoreline Gold<\/strong>.<\/p>\n

 <\/p>\n

Dans les ann\u00e9es 1950, Fender avait d\u00e9j\u00e0 produit plusieurs instruments de couleur unique \u00e0 la demande de ses clients. Mais pour rationaliser et commercialiser sa gamme de couleurs, en 1960, Fender a publi\u00e9 un catalogue de 14 couleurs personnalis\u00e9es disponibles<\/strong>.<\/p>\n

 <\/p>\n

Ces couleurs personnalis\u00e9es \u00e9taient utilis\u00e9es par les constructeurs automobiles et \u00e9taient donc largement disponibles. Pontiac a utilis\u00e9 la couleur Shoreline Gold pour ses mod\u00e8les des ann\u00e9es 59 et 60, mais en 1965, elle n’\u00e9tait plus tr\u00e8s r\u00e9pandue et donc plus difficile \u00e0 trouver.[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=\u00a0\u00bb35″][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb72824″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]En 1964, une nouvelle couleur a \u00e9t\u00e9 mise \u00e0 la mode. Il s’agit de la couleur Firemist Gold<\/strong>.<\/p>\n

Cette couleur a remplac\u00e9 le bien-aim\u00e9 Shoreline Gold. Cette couleur, plus dor\u00e9e et plus brillante, \u00e9tait utilis\u00e9e par Cadillac \u00e0 l’\u00e9poque.<\/p>\n

 <\/p>\n

Envieux du succ\u00e8s de Fender, Gibson a \u00e9galement sorti un catalogue de couleurs personnalis\u00e9es \u00e0 la fin de l’ann\u00e9e 1963. Bien que ces couleurs soient \u00e9galement disponibles pour les mod\u00e8les SG et ES-335\/345\/355 semi-solid, la gamme \u00e9tait sp\u00e9cifiquement destin\u00e9e \u00e0 compl\u00e9ter les guitares Firebird et les basses Thunderbird.<\/p>\n

 <\/p>\n

Pour preuve, dans cet exemplaire de la nouvelle gamme de couleurs, nous avons constat\u00e9 que le dor\u00e9 (Golden Mist Poly) \u00e9tait exactement le m\u00eame que le Shoreline Gold de Fender.[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=\u00a0\u00bb35″][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb72752″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]En 1969, Fender et Gibson ont cess\u00e9 d’utiliser des couleurs personnalis\u00e9es parce qu’elles n’\u00e9taient plus populaires. D’o\u00f9 vient l’Aztec Gold ?<\/p>\n

 <\/p>\n

Lorsque Fender a lanc\u00e9 ses guitares Elite Series (fabriqu\u00e9es au Japon) en 1983, il les a propos\u00e9es dans une gamme de couleurs personnalis\u00e9es, dont l’Aztec Gold. Inspir\u00e9 de la couleur de la l\u00e9gendaire Buick GSX de 1972, l’Aztec Gold a un ton plus brillant et plus jaune que le Shoreline et le Firemist Gold.<\/p>\n

 <\/p>\n

Apr\u00e8s la fin de la s\u00e9rie Elite en 1986, Fender a continu\u00e9 \u00e0 utiliser l’Aztec Gold pour les mod\u00e8les USA American Vintage et Custom Shop.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Nous esp\u00e9rons que cet article vous a aid\u00e9 \u00e0 comprendre les diff\u00e9rences historiques entre ces dorures. Outre l’histoire, c’est \u00e0 vous de choisir le ton d’or qui convient \u00e0 votre instrument, qui peut aller d’un ton subtil (Aged Gold Top, Shoreline) \u00e0 des tons plus frappants (Gold Top, Firemist, Cooper metallic, Aztec Gold).<\/p>\n

 <\/p>\n

Bien que nous n’ayons pas parl\u00e9 de l’histoire de toutes ces couleurs, la gamme des couleurs d’or est plus large dans notre catalogue. Vous trouverez ci-dessous des photos des deux couleurs restantes : Cooper Metallic,\u00a0 ; Aged Goldtop.[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=\u00a0\u00bb35″][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb72856″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb72886″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]*Article r\u00e9dig\u00e9 en collaboration avec\u00a0Martijn Vink – Product Manager Guitar\u00a0<\/strong>dans\u00a0THE MUSIC ALLIANCE*<\/strong>.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb] Histoire des couleurs dor\u00e9es sur la guitar [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb73012″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb […]<\/p>\n","protected":false},"author":33274,"featured_media":73008,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7503],"tags":[],"class_list":["post-72981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-fr"],"yoast_head":"\nHistoire des couleurs dor\u00e9es sur la guitar | Nitorlack<\/title>\n<meta name=\"description\" content=\"Connaissez-vous l'histoire des couleurs dor\u00e9es et leur influence sur l'industrie de la guitare ? 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