{"id":34191,"date":"2020-07-22T11:55:28","date_gmt":"2020-07-22T09:55:28","guid":{"rendered":"http:\/\/nitorlack.com\/blog\/la-veritable-histoire-des-guitares-relic\/"},"modified":"2021-10-04T12:53:20","modified_gmt":"2021-10-04T10:53:20","slug":"la-veritable-histoire-des-guitares-relic","status":"publish","type":"post","link":"https:\/\/nitorlack.com\/fr\/blog\/la-veritable-histoire-des-guitares-relic\/","title":{"rendered":"La v\u00e9ritable histoire des guitares Relic."},"content":{"rendered":"

Dans l’histoire des guitares reliques, il y a 2 protagonistes principaux Jay W Black et Vince Cunetto<\/strong><\/p>\n

\"\"<\/p>\n

Jay W Black \u00e9tait \u00e0 cette \u00e9poque le Master Builder et responsable du Fender Custom Shop, Black travaillait dans un magasin de musique local \u00e0 Bethlehen, o\u00f9 j’ai appris le m\u00e9tier de luthier. \u00c0 la fin des ann\u00e9es 1980, Jay d\u00e9m\u00e9nage \u00e0 New York pour travailler dans le studio de R. Sadosky et plus tard sur Rudy\u2019s Music avec John Shur lui-m\u00eame.<\/p>\n

En 1983, Jay a fait son premier travail de Relic sur une Gibson Les Paul Junior des ann\u00e9es 1950 qu’il a convertie en Les Paul de 1959 en ajoutant une reliure, une table en \u00e9rable, des incrustations et finalement l’a peinte et vieillie pour ressembler \u00e0 une Les Paul des ann\u00e9es 1950.<\/p>\n

J’ai continu\u00e9 \u00e0 vieillir pour Sadowsky et \u00e0 apprendre de plus en plus \u00e0 vieillir les guitares.<\/p>\n

Vince Cunneto en 85 achetait et vendait des guitares vintage et est devenu un bon ami de Jim Colclasure parce qu’il distribuait de vieilles guitares, tout en \u00e9tant partenaire de Jay W Black.<\/p>\n

Vince se consacrait \u00e0 enqu\u00eater en profondeur sur la construction et l’usure des guitares qui passaient entre ses mains et il arriva un moment o\u00f9 il d\u00e9cida de fabriquer lui-m\u00eame une t\u00e9l\u00e9caster avec des mod\u00e8les qu’il avait cr\u00e9\u00e9s. Cunetto savait peindre car il avait travaill\u00e9 dans un atelier de peinture. Une fois sa premi\u00e8re t\u00e9l\u00e9caster construite dans l’atelier d’un ami, j’ai d\u00e9cid\u00e9 de la reliquer et de la vieillir.<\/p>\n

La naissance des Relics dans Fender et comment l’histoire des guitares Relic a commenc\u00e9.<\/strong><\/p>\n

Un jour de cette \u00e9poque, Jay a vu le musicien Don Was dans son studio, o\u00f9 ils ont enregistr\u00e9 les Rolling Stones \u00e0 ce moment-l\u00e0. Don a d\u00fb aller aux Grammys et il a eu une nouvelle basse que j’ai demand\u00e9 au Fender Custom Shop de vieillir pour un look de basse vintage. En commen\u00e7ant par cette basse, Fender a donn\u00e9 \u00e0 ses artistes la possibilit\u00e9 de donner un traitement vieillissant \u00e0 leurs instruments mais ne l’a pas trait\u00e9e comme une finition standard pour leurs guitares.<\/p>\n

\"\"<\/p>\n

Jay W. Black a rencontr\u00e9 Vince Cunetto, ils se sont rencontr\u00e9s par l’interm\u00e9diaire d’un tiers qui connaissait le travail des deux et ils se sont pr\u00e9sent\u00e9s pour partager leurs exp\u00e9riences, et \u00e0 partir de ce moment ils \u00e9taient en contact et ont commenc\u00e9 \u00e0 collaborer.<\/p>\n

Quand Jay W Black a commenc\u00e9 \u00e0 travailler pour Fender, il avait besoin de d\u00e9calcomanies pour les guitares historiquement correctes et il a pens\u00e9 \u00e0 Cunetto, qui \u00e9tait ravi de commencer \u00e0 collaborer avec Fender sur les d\u00e9calques. Par la suite, j’ai fourni des pickguards et des pi\u00e8ces us\u00e9es au Custom Shop. De cette fa\u00e7on, Jay et Cunetto ont r\u00e9alis\u00e9 la demande pour ce type de produit et ont vu qu’il pouvait \u00eatre tr\u00e8s r\u00e9ussi.<\/p>\n

Les premiers prototypes de guitare relique<\/strong> \u00e0 sortir du Fender Custom Shop \u00e9taient une Nocaster des ann\u00e9es 50 et une Stratocaster des ann\u00e9es 50 Mary Kaye. Les deux guitares ont \u00e9t\u00e9 expos\u00e9es pour la premi\u00e8re fois au Namm Show de 1995 dans deux vitrines. Ce fut un \u00e9norme succ\u00e8s et a cr\u00e9\u00e9 une grande anticipation.<\/p>\n

\"\"<\/p>\n

\u00c0 partir de ce moment, tous les d\u00e9partements de Fender ont \u00e9t\u00e9 mis en service pour produire des guitares Relic. Mais Fender avait un probl\u00e8me, l’Environmental Protection Agency n’a pas autoris\u00e9 le vernissage \u00e0 la nitrocellulose (n\u00e9cessaire pour la finition relice) car l’usine Fender n’\u00e9tait pas qualifi\u00e9e pour le faire. Et ils avaient d\u00e9j\u00e0 des centaines de commandes en attente du Namm Show !!!!!<\/p>\n

La solution \u00e9tait pour Cunetto d’installer une usine de production de 600 m\u00e8tres \u00e0 Springsfield o\u00f9 il pourrait en effet vernir \u00e0 la nitrocellulose, avec des cabines de peinture, des postes de travail et tout le reste n\u00e9cessaire. Fender a exp\u00e9di\u00e9 les corps et les m\u00e2ts \u00e0 Cunetto et Cunetto les a rendus vernis et vieillis.<\/p>\n

Petit \u00e0 petit, d’autres mod\u00e8les ont \u00e9t\u00e9 incorpor\u00e9s dans cette finition Relic, notamment les s\u00e9ries JazzBass, Precision, Strat 69 et Telecaster. Tout le monde voulait une nouvelle Fender avec la sensation d’une guitare des ann\u00e9es 50!<\/p>\n

Des artistes du monde entier voulaient les guitares Relic fabriqu\u00e9es par le Fender Custom Shop et la croissance des ventes \u00e9tait d\u00e9mesur\u00e9e, Cunetto a \u00e9largi le plancher de production et s’est impos\u00e9 comme une gamme de produits Fender.<\/p>\n

En 1998, Fender a adapt\u00e9 son usine aux r\u00e9glementations environnementales et a mis fin \u00e0 l’\u00e8re Cunetto.<\/p>\n

La gamme de produits Relic \u00e9voluait et diff\u00e9rents niveaux de reliques ont \u00e9t\u00e9 incorpor\u00e9s dans le catalogue, qui se poursuivent aujourd’hui.<\/p>\n

N.O.S (New Old Stock) Ce sont des r\u00e9pliques exactes des premi\u00e8res ailes (mesures, \u00e9lectronique, composants, bois, finitions …) mais pas toutes neuves. Comme s’ils avaient \u00e9t\u00e9 stock\u00e9s dans un placard pendant 40 ans.<\/p>\n

Closset Classic. Ils imitent les guitares qui ont \u00e9t\u00e9 utilis\u00e9es pendant une courte p\u00e9riode au d\u00e9but et qui ont ensuite \u00e9t\u00e9 conserv\u00e9es pendant des ann\u00e9es. Ils ont des touches l\u00e9g\u00e8res et des signes d’usure<\/p>\n

Relique et relique lourde. Ce sont des guitares avec des signes \u00e9vidents d’usure sur la peinture nitrocellulosique, les composants, la salet\u00e9, etc.<\/p>\n

Aujourd’hui, Jay W Black et Cunetto sont tous deux sortis de Fender et ont leurs propres ateliers et construisent des guitares sous son nom, mais ils resteront toujours les protagonistes de l’histoire des guitares reliques.<\/p>\n

Depuis lors, de nombreuses marques int\u00e8grent des guitares \u00e0 l’aspect vieilli dans leurs catalogues, telles que ESP, Gibson, etc. M\u00eame les luthiers et les petits fabricants se consacrent exclusivement \u00e0 la fabrication de finitions Relic.<\/p>\n

Ces finitions ont g\u00e9n\u00e9r\u00e9 de nombreux avis contradictoires, il y a de vrais amateurs de relic et d’autres qui ne joueraient jamais d’une guitare artificiellement vieillie, que vous soyez d’un c\u00f4t\u00e9 ou de l’autre, chez Nitorlack<\/a> vous avez tous les produits n\u00e9cessaires pour finir votre guitare.<\/p>\n

Si, par contre, vous pr\u00e9f\u00e9rez d’autres types de finitions qui ne se d\u00e9t\u00e9riorent pas avec le temps, vous pouvez \u00e9galement trouver sur notre site des finitions de qualit\u00e9, comme la gomme-laque<\/a> ou le polyur\u00e9thane.<\/a><\/p>\n

\"la<\/p>\n\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans l’histoire des guitares reliques, il y a 2 protagonistes principaux Jay W […]<\/p>\n","protected":false},"author":1,"featured_media":33853,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7503],"tags":[],"class_list":["post-34191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-fr"],"yoast_head":"\nLa v\u00e9ritable histoire des guitares Relic | Nitorlack<\/title>\n<meta name=\"description\" content=\"La v\u00e9ritable histoire des guitares reliques. 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