{"id":1648,"date":"2016-03-07T10:45:25","date_gmt":"2016-03-07T10:45:25","guid":{"rendered":"http:\/\/nitorlack.com\/fr\/proceso-flamenca\/"},"modified":"2024-05-14T13:09:14","modified_gmt":"2024-05-14T11:09:14","slug":"proceso-flamenca","status":"publish","type":"post","link":"https:\/\/nitorlack.com\/fr\/blog\/proceso-flamenca\/","title":{"rendered":"Barnizado nitrocelulosa guitarra flamenca"},"content":{"rendered":"

\u00a00.- Mat\u00e9riel n\u00e9cessaire:<\/em><\/strong><\/p>\n

\n

– Chiffon humide<\/em><\/p>\n

– Sandpaper Grit: 240-400 – 800-2000<\/em><\/p>\n

– 480051 Solvent Dye Couleur Orange-rouge (moyen ou lent 54421 540424) \/ 410021 + 410022 Eau Dye<\/em><\/p>\n

Reddish-Orange Couleur<\/em><\/p>\n

– 220073 Nitro Finish High Gloss<\/em><\/p>\n

– Polisseuse + p\u00e2te \u00e0 polir (moyen et fin)<\/em><\/p>\n

1. Pr\u00e9paration du support:<\/em><\/strong><\/p>\n

Retirer repelo: Passez un chiffon imbib\u00e9 d’eau sur toute la surface de la guitare, une fois la guitare s\u00e8che passer \u00e0 sable l\u00e9g\u00e8rement.<\/em><\/p>\n

Pon\u00e7age: sera poncer avec du papier de grain 240-400 pour enlever repelo g\u00e9n\u00e9r\u00e9 par le gonflement de la plaque avec de l’eau. Toujours utiliser du papier de verre avec de la mousse pour contr\u00f4ler la pression de pon\u00e7age et de fa\u00e7on \u00e0 ne pas endommager la plaque, en particulier sur les bords et les profils.<\/em><\/p>\n

Phase 2. Coloration:<\/em><\/strong><\/p>\n

Si nous appliquons \u00e0 Pistola: Nous allons appliquer le colorant directement sur le bois signifie toujours r\u00e9duit avec lenteur 540424 540421 ou de solvant pour obtenir mettre en \u00e9vidence le grain de notre assiette que possible. Toujours appliquer le colorant dans deux ou trois passes \u00e0 la couleur de compatibilit\u00e9 crois\u00e9e sur la surface (et attendre qu’il s\u00e8che apr\u00e8s l’application de chaque main). Pour teindre l’eau que nous pouvons appliquer la tache d’un laissez-passer et si n\u00e9cessaire avec un chiffon exc\u00e8s de colorant en exc\u00e8s.<\/em><\/p>\n

Si nous appliquons Wipe: Quand on applique un chiffon contre-d\u00e9pouille le colorant solvant lente 540424. Dans ce cas, nous ne pourrons pas utiliser le milieu solvant, pour nous donner le temps d’appliquer le colorant correctement, l’examen et si les jonctions n\u00e9cessaires ou non l’avis chevauche la couleur dans votre application. Pour teindre l’eau proc\u00e9der comme solvant.<\/em><\/p>\n

Remarque: Le tissu ne devrait pas avoir des fibres ou des poils qu’ils sont ensuite accroch\u00e9s au bois.<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0Un colorant de Formule:<\/em><\/p>\n

colorant solvant (3 passes)<\/em><\/p>\n

Rapide concentr\u00e9 morue colorant orange. 480 051:<\/em><\/p>\n

10% de colorant concentr\u00e9 + universel milieu solvant morue d’\u00e9vaporation. 540421<\/em><\/p>\n

eau Dye (3 passes)<\/em><\/p>\n

Dye concentr\u00e9 \u00e0 l’eau:<\/em><\/p>\n

Cod. 410021 Rouge, mis dans le rapport suivant = 20%<\/em><\/p>\n

Cod. 410022 Amarillo, mis dans le rapport suivant = 30%<\/em><\/p>\n

La participation restante de 50% d’eau.<\/em><\/p>\n

Remarque: Nous conseillons toujours de ne pas concentrer beaucoup de colorant \u00e0 appliquer en plusieurs passes et \u00e9viter les d\u00e9faillances dans l’application de la couleur en exc\u00e8s de couleur, ou des bandes de couleur (bien que cette eau avec des colorants est plus difficile de passer). La concentration indiqu\u00e9e est de donner la couleur dans les 2 ou 3 passes. Si vous voulez donner un coup de main, vous pouvez diluer moins. Par exemple, le colorant solvant (solvant 4 parties en colorant orange) et le colorant de l’eau (60% et 40% de rouge en jaune)<\/em><\/p>\n

3. Phase d’\u00e9tanch\u00e9it\u00e9:<\/em><\/strong><\/p>\n

Pour appliquer un scellant la main, nous allons utiliser dans ce cas la m\u00eame finition brillante que le travail par la suite \u00e0 l’arriv\u00e9e, pour plusieurs raisons:<\/em><\/p>\n

a) En raison de sa transparence, comme il est fini \u00e0 une excellente transparence, de sorte que nous allons gagner en vivacit\u00e9 et la profondeur de couleur.<\/em><\/p>\n

b) la mouillabilit\u00e9, de p\u00e9n\u00e9trer dans les pores des pores parfaitement blanc \u00e9viter des probl\u00e8mes.<\/em><\/p>\n

c) Par la fusion des couches minces (), la fusion entre les couches est excellent dans ce mat\u00e9riau, de sorte que se ne modifie pas le son naturel de la guitare, et d’unifier en une seule main tout le processus de laquage.<\/em><\/p>\n

L’application est tr\u00e8s simple, contre-d\u00e9pouille l’arriv\u00e9e entre 25% – 30% avec Diluant 540421 gun Moyen et appliquer \u00e0 \u00abcroix \u00e0 la main\u00a0\u00bb (des moyens pour appliquer la premi\u00e8re de gauche \u00e0 droite puis de haut en bas). Laisser s\u00e9cher 4 \u00e0 6 heures pour r\u00e9gler bien vernis, et vous donner une seconde main r\u00e9duit seulement 5% \u00e0 10%.<\/em><\/p>\n

Phase 4. Finition:<\/em><\/strong><\/p>\n

Une fois sec d’\u00e9tanch\u00e9it\u00e9 de la premi\u00e8re phase, nous avons toujours recommandons tr\u00e8s facilement ponc\u00e9 avec du grain P800 \u00e0 quitter la surface pr\u00eate pour la phase de finition. La finition est conseill\u00e9 d’appliquer une mince mains et jamais en couches \u00e9paisses. Il est \u00e9galement recommand\u00e9 de pon\u00e7age entre les couches afin de mieux affiner la surface et obtenir une meilleure fusion entre eux, m\u00eame si elle correspond. R\u00e9p\u00e9tez ce processus jusqu’\u00e0 ce que vous obtenez la finition parfaite (brillance, opacit\u00e9 et extensibilit\u00e9)<\/em><\/p>\n

Phase 5. Polissage:<\/em><\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Enfin, bien que pas n\u00e9cessaire si fortement recommand\u00e9, passez \u00e0 polir notre guitare. Il faudra attendre 3 \u00e0 4 semaines pour la finition nitro obtiennent la bonne duret\u00e9 \u00e0 polir. Remarque: finitions polyur\u00e9thane polissage (Cod.120139) ne sera suffisante pour attendre 48 heures.<\/em><\/p>\n

Premi\u00e8res puliremos avec de la p\u00e2te de polissage moyenne, afin d’\u00e9liminer les impuret\u00e9s et les imperfections plus \u00e9pais et plus tard travailler avec le polissage coller plus mince.<\/em><\/p>\n

\u00c9vitez de trop chauffer le vernis de la guitare.<\/em><\/p>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a00.- Mat\u00e9riel n\u00e9cessaire: – Chiffon humide – Sandpaper Grit: 240-400 – 800-2000 – […]<\/p>\n","protected":false},"author":1,"featured_media":28288,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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