{"id":46562,"date":"2021-03-15T15:41:49","date_gmt":"2021-03-15T13:41:51","guid":{"rendered":"http:\/\/nitorlack.com\/?post_type=product&#038;p=46562"},"modified":"2026-03-05T17:08:28","modified_gmt":"2026-03-05T15:08:28","slug":"candy-tangerine-copia","status":"publish","type":"product","link":"https:\/\/nitorlack.com\/en\/barniz\/colors\/translucid\/candy-tangerine-copia\/","title":{"rendered":"ORANGE VINTAGE GLOSS"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><h1 style=\"text-align: center;\">Nitrocelulosa guitarra ORANGE VINTAGE y todo lo necesario para pintar guitarra el\u00e9ctrica<\/h1>\n<p>[vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1593585138596{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1 style=\"text-align: center;\">#mynitorlack<\/h1>\n<hr \/>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1615475940538{background-color: #ffffff !important;}&#8221;][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1615458685232{background-color: #ffffff !important;}&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1615458702733{background-color: #ffffff !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Vintage Inspired<\/h2>\n<h3>Based on original Fender and Gibson colors.<\/h3>\n<p>To develop our colors we have been based on original samples from the 50s and 60s. After great work and exhaustive study by our laboratory and technical department, we have achieved colors that faithfully recreate the tones of Fender guitars and guitars. Gibson vintage.<\/p>\n<p>During those years until now, it should be borne in mind that the colors of vintage guitars have varied greatly over the years due to the aging of nitrocellulose and changes in the colors of the brands. Therefore two guitars finished in 1960 with fender card colors today can be totally different between them or with respect to a more current guitar.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;27763&#8243; img_size=&#8221;medium&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;24892&#8243; img_size=&#8221;large&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h1>Nitrocellulose Spray.\u00a0Paint your guitar easily with our spray.<\/h1>\n<p>So that the painting equipment is not an impediment to painting your guitar, at Nitorlack we have developed all our colors in Spray format. You can achieve a professional finish with our entire range of products, from backgrounds and the full range of colors, to gloss and matte finishes.<\/p>\n<p>How much product do I need to buy in spray? It will depend a lot on the type of wood and the amount of product that is applied for each coat and the desired finish, mirror effect or &#8220;open pore&#8221;. But in general for a guitar with a medium wood pore, for an electric guitar neck: 2 finishing sprays (gloss or matt), for an electric guitar body: 1 background spray and 3 finishing sprays (gloss or matt) ), classical or acoustic: 1 background spray and 4 or 5 finishing spray (gloss or matte) and Ukulele: 2 finishing spray. (gloss or matte). If you want to apply any color, between the background and the finish, you should add 1 or 2 spray of the desired color.<\/p>\n<p>Spray application tips Shake vigorously for 2 to 5 minutes before applying. It is recommended to apply the spray in thin layers and with an ambient humidity that is as low as possible. Apply with a uniform movement and with a distance of approximately 20 cm. It is important to apply a primer and sand with 400 before applying the spray to achieve a uniform surface before coloring or finishing. Sand between coats and allow to dry for 12 to 24 hours between coats. Apply in ventilated areas.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h2><strong>Nitrocelulosa en lata<br \/>\n<\/strong><\/h2>\n<h5>Acabado profesional.<\/h5>\n<p>Si quieres conseguir en tu guitarra un acabado perfecto y dispones de un equipo de pintado (pistola y compresor) la mejor eleccion son los productos en lata, tienes un mayor rendimiento por un precio menor y con un equipo de pintado el resultado fin\u00e1l sera profesional con menos esfuerzo.<\/p>\n<p>Se recomienda diluir el producto con disolvente para ajustar la viscosidad y que la aplicaci\u00f3n sea perfecta, disponemos de dos tipos de disolventes. El disolvente habitual que se utiliza es <a href=\"http:\/\/nitorlack.com\/barniz\/disolventes\/disolventes-2\/solvent-nitorlack\/\"><strong>Solvent Medium<\/strong><\/a>, pero para condiciones ambientales de humedad y temperatura m\u00e1s extremas podemos utilizar <a href=\"http:\/\/nitorlack.com\/barniz\/disolventes\/disolventes-2\/solvent-nitorlack\/\"><strong>Solvent Retard<\/strong><\/a> para evitar hervidos y velados en el acabado. Las condiciones optimas de aplicaci\u00f3n son entre <strong>15 y 25 \u00baC de temperatura y 50 a 70 % de humedad<\/strong>. El porcentaje de diluci\u00f3n va a depender del equipo de pintura y su configuraci\u00f3n pero lo recomendable es entre un <strong>10 a 20% de disolvente<\/strong>. El <strong>pico de la pistola<\/strong> los m\u00e1s habitual es <strong>1.3 a 1.5<\/strong> y la presi\u00f3n del compresor sobre 2.5 a 3 bares.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;24714&#8243; img_size=&#8221;large&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Toned nitrocellulose varnish, slightly more orangey than Amber Vintage, offering a natural tone in the first coats and close to the Fender masts of the 70&#8217;s when more product is applied.<\/p>\n<p>The tone is achieved by applying thin coats of the finish tone, until the desired intensity is obtained.<\/p>\n","protected":false},"featured_media":46578,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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